Today I studied a plein air painting I did in New York last summer and thought about ways to improve it. I did about a dozen Notan ink sketches (black and white values only, in a sketchbook), and finally settled on a backlit variation.
Then I spent about an hour quickly sketching my idea with oil paint. I used a limited palette of four colors plus white, following a suggestion of Terry Miura: (1) yellow ochre; (2) transparent red oxide; (3) a little black; (4) asphaltum; and (5) titanium white.
It's obviously just a sketch, but I'm liking the composition! I may try to develop this into a larger studio piece. I'd add more cars, people, details, and clarify the drawing -- but, I hope, maintain the lighting and feel.
Daily painting #67, and Sasha
When I’m in New York, I like to attend at least one life-drawing session at the Art Students League on West 57th Street. I chose a long pose of Sasha, an excellent model. I started with an indifferent gesture sketch of her full figure, then did this 35-minute portrait sketch.
Before life class, I took my little portable paintbox and stood on the corner of 57th and 7th Avenue, looking downtown, toward Times Square. I had trouble concentrating: there was no place to sit, it was hot, and it was crowded. But at least I got a few ideas down on the canvas. I was interested in contrasting the dark mass of green (the backstop for the 57th Street subway stop) with the very bright buildings on the left. And it’s always fun to sketch figures in the city.